Frame Structures

Keren Cytter
Linnea Kniaz
Sara Magenheimer
Steel Stillman

April 1–May 6 2018

Press Release Selected Press

Steel Stillman, Percolator, 2017. Archival inkjet print. 16h x 20w in.

Sara Magenheimer, Open Mic Solo, 2017. Acrylic paint, archival pigment print on organza, canvas. 54h x 38w in.

Linnea Kniaz, Framework 8, 2017. Wire, construction mesh, acrylic, gouache. Work: 53.75 x 16 x 16 inches. Pedestal: 2 x 26 x 32 inches. 21 acrylic-painted bricks: 2 x 3.5 x 8 inches each.

Linnea Kniaz, The One Special mark is Given a Platform and a Glow but is Still Small, 2013. Acrylic and oil marker on canvas stretched onto rubber frame. 42h x 35w in.

Steel Stillman, Autumn, 2016. Archival Inkjet Print. 74h x 60w in.

Linnea Kniaz, Framework 7, 2017. Powder-coated wire, construction mesh. Work: 52 x 13.5 x 13.5 inches; Pedestal: 2 x 26 x 32 inches; 21 acrylic-painted bricks: 2 x 3.5 x 8 inches each.

Linnea Kniaz, Not There, There but Not There, 2013. Oil on canvas stretched onto rubber frame. 66h x 57w in.

Steel Stillman, Coffee, 2017. Archival inkjet print. 16h x 20w in.

Keren Cytter, Rose Garden, 2014. Digital HD video with sound; 8 min, 57 sec. Ed. 4 of 5 + 2 AP. Courtesy of the artist and Pilar Corrias.

Keren Cytter, Rose Garden, 2014. Digital HD video with sound; 8 min, 57 sec. Ed. 4 of 5 + 2 AP. Courtesy of the artist and Pilar Corrias.

Keren Cytter, Siren, 2014. Digital HD video with sound; 14 min, 39 sec. Ed. 4 of 5 + 2 AP. Courtesy of the artist and Pilar Corrias.

Keren Cytter, Object, 2016. Digital HD video with sound; 27 min. Ed. 1 of 5 + 2 AP. Courtesy of the artist and Pilar Corrias.

...structures such as the camera frame, cropping, overlays, montage, repetition, voiceover, subtitling, rephrasing, inversions, assemblage and isolation of image to contain, expound on, exploit, and defamiliarize text and image—creating endless linkages and meditations on the poetry and fragility of the everyday, of existence, and of memory...

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